There have always been avant-garde artists and bands that take elements of country and fuse them with other musical idioms to make their own highly original, often idiosyncratic styles. Many of these artists also address controversial issues that are taboo in the politically correct country mainstream. It was the late-1960s and early 1970s, when America’s anti-war ‘alternative’ sub-culture was ...
(Arnst Ta’-o-dôr A-ma-da’-oos Hof’-man) 1776–1822 German writer and composer E.T.A. Hoffmann’s wide-ranging talents were the source of great inspiration throughout the nineteenth century, and composers who drew on his stories include Schumann (Kreisleriana) and Offenbach (Les contes d’Hoffmann). He was also an astute and perceptive critic, and his review in 1810 of Beethoven’s Fifth Symphony is justly famous. ...
(Guitar, banjo, 1890–1966) Johnny St. Cyr played around New Orleans as a teenager with A.J. Piron and the Superior, Olympia and Tuxedo bands. He joined Kid Ory’s band in 1918 and later played in Fate Marable’s riverboat band. In 1923 he moved to Chicago, where he joined King Oliver’s Creole Jazz Band. He played on Armstrong’s ...
(Piano, organ, vocals, 1939–83) James Carroll Booker III was born in New Orleans, Louisiana. He studied classical piano from the age of four and made his recording debut for Imperial at 14. He worked as a session musician in New Orleans from the mid-1950s and recorded for many different labels, as well as playing and arranging ...
(Vocals, 1895–1979) Carl T. Sprague was one of the earliest singing cowboys to record and, like Jules Verne Allen, he was the genuine article, having worked as a cowboy. He began recording in 1925 and ‘When The Work’s All Done This Fall’ sold almost a million copies. His recording career was short-lived and after 1927 he worked ...
(Vocals, 1916–72) Born David Luke Myrick, in Mena, Texas, Tyler first rose to prominence as a member of the Louisiana Hayride and later recorded a string of sentimental hits, including ‘Filipino Baby’ (1946), ‘Deck Of Cards’ (1948), ‘My Bucket’s Got A Hole In It’ (1949) and ‘Bummin’ Around’ (1953). Styles & Forms | War Years | ...
(Vocals, songwriter, guitar, b. 1936) Hall had his own band, The Kentucky Travelers, by the time he was 16. He worked as a commercial DJ and for armed-forces radio in Germany between 1957 and 1961, moving to Nashville in 1964. Hall’s career changed overnight in 1968 when Jeannie C. Riley took his song, ‘Harper ...
Hank Williams and George Jones would have found the whole notion of alt-country unfathomable. Why would anyone seek an alternative to bestselling country records ? For these sons of dire southern poverty, the whole point of making country records was to sell as many as possible and maybe catch hold of the dignity and comfort that a middle-class life might ...
When Steve Earle (b. 1955) was released from prison on 16 November 1994, it had been four years since he had released a studio album and three years since he’d done a tour. During that time lost to heroin and crack, much had changed in the world of country music. The charismatic but mainstream-pop-oriented Garth Brooks (b. 1962) was ...
The most influential country act of 2001 was a band that didn’t even exist. The Soggy Bottom Boys were the prime attraction on O Brother, Where Art Thou ? the soundtrack album that topped the country and pop charts and sold more than four million copies. The group revived the late 1930s and early 1940s sound when old-time string-band music ...
In 1981, Sam Bush (mandolin, vocals, b. 1952) lost half of his band, The New Grass Revival, to road weariness. Courtney Johnson (banjo, 1939–96) and Curtis Burch (guitar, vocals, b. 1945) were exhausted by the tours with Leon Russell and the club and festival dates in between. So Bush and his remaining partner ...
It makes sense that Australia would be the one country outside North America to develop an important country-music scene of its own. Like the USA and Canada, Australia had a large, under-populated frontier that was settled by English, Irish and Scotch immigrants who brought their folk songs with them. Roughened and toughened by frontier life, those songs ...
In 1995, Alison Krauss (vocals, fiddle, b. 1971) achieved a level of success no other bluegrass act had ever matched. Her 1995 retrospective album, Now That I’ve Found You: A Collection, went double platinum, and she won the CMA Awards for Single, Female Vocalist, Vocal Event and Emerging Artist as well as the ...
Belleville is a small town in downstate Illinois, south-east of St. Louis. Like a lot of mid-western towns, it was hit hard in the 1980s by the twin whammy of closing factories and faltering family farms. If punk-rock is the sound of factories and if country music is the sound of farms, it makes sense that a successful ...
The Research Triangle, a cluster of three major universities (Duke, North Carolina and North Carolina State) in the Appalachian foothills, was a natural breeding ground for an alt.-country scene, thanks to its rural Southern setting and its density of bohemians. It had been an outpost of the Georgia-centered alternative-rock scene that had produced R.E.M ...
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